KILLTUBE Heads to Annecy 2026 With Major Work-in-Progress Showcase

The original anime film KILLTUBE is set to take a major step onto the global stage after being selected for the Work in Progress (WIP) program at the 50th Annecy International Animation Film Festival. Scheduled to run from June 21 to 27, 2026, the festival will host a special session where the film’s core creative team will present new details about the project.

Annecy remains one of the most respected animation festivals in the world, and inclusion in its WIP lineup is often seen as a strong indicator of a project’s potential. For KILLTUBE, this moment marks a key milestone as it continues production and builds international anticipation.

A Different Kind of Anime Project Takes Center Stage

Rather than relying on an established franchise, KILLTUBE is positioned as a fully original theatrical anime. The film imagines a striking alternate reality where Japan’s Edo period never ended, resulting in a society shaped by rigid hierarchies and technological evolution.

At the center of this world is a controversial system where individuals fight for status and freedom through a government-controlled duel streaming platform. This battle-driven structure gives the story a modern edge, combining traditional samurai elements with themes rooted in digital culture and social mobility.

The concept has already drawn attention online, with the teaser released in April 2024 crossing 5 million views. That early traction has helped establish KILLTUBE as one of the more talked-about original anime currently in development.

Key Creators to Reveal Behind-the-Scenes Details

The Annecy session will feature four major contributors who are shaping the film. Director Kazuaki Kuribayashi will lead the presentation, alongside concept art director Fujihiko Sawai, screenwriter Ryo Takebayashi, and producer Kayane Fujimura.

Each brings a different creative strength to the project. Sawai, known for his work connected to the Final Fantasy franchise, is responsible for the film’s distinctive visual style, often described as “Edo-punk.” Meanwhile, Takebayashi’s background as an award-winning filmmaker adds narrative depth to the project.

A still from KILLTUBE,pilot

The session is expected to go beyond surface-level promotion, offering insights into how the film is being constructed from both a storytelling and production perspective.

A Complex Production Approach Sets KILLTUBE Apart

One of the more unusual aspects of KILLTUBE is its approach to writing. The film is being developed through a collaborative screenwriting process involving around 20 writers, a rare structure in anime filmmaking.

This approach suggests a broader, more layered narrative, likely reflecting the complexity of its world and characters. It also signals an attempt to experiment with new creative workflows within the industry.

Alongside this, the production team will highlight the film’s world-building process, which draws from both historical Japanese influences and contemporary visual design. The goal appears to be creating a setting that feels both grounded and forward-looking.