Devil May Cry Season 2 Hype Peaks as “See U in Hell” Music Video Drops Online

Papa Roach and Hanumankind Collaborate on High-Energy Single Ahead of Netflix Series Premiere

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A still from Devil May Cry Season 2's See U in Hell teaser

Netflix has launched the final promotional push for Devil May Cry Season 2 with the release of “See U in Hell,” an explosive new single featuring Papa Roach and Indian rapper Hanumankind. The track debuted on May 7, 2026, accompanied by a stylized animated music video that blends scenes from the upcoming season with original sequences.

Releasing just five days before the show’s May 12 premiere, the collaboration represents Netflix’s strategy of merging music and anime storytelling into a cohesive cinematic experience.

The aggressive sound and intense visuals of “See U in Hell” perfectly capture the emotional conflict and action-driven narrative that has defined the Devil May Cry franchise since its video game origins. Written by Alex Seaver of Mako, Jacoby Shaddix, Hanumankind, and Tyler Demorest, with Adi Shankar serving as executive producer, the single sets the tone for the highly anticipated second season that explores the fractured relationship between demon hunter Dante and his estranged twin brother Vergil.

The Creative Collaboration Behind “See U in Hell”

The musical partnership between Papa Roach and Hanumankind brings together contrasting styles that complement Devil May Cry’s global appeal. Papa Roach delivers their signature hard rock intensity, a sound that has defined their career for over two decades. Hanumankind adds a sharp, modern edge with his distinctive rap flow, creating a fusion that resonates with both Western rock audiences and international listeners.

The songwriting team includes Alex Seaver of Mako, Jacoby Shaddix, Hanumankind, and Tyler Demorest, who crafted lyrics specifically designed to match the chaotic and emotional conflict at the heart of Season 2. Adi Shankar, the showrunner for Devil May Cry, served as executive producer on the track, ensuring the music aligned perfectly with the series’ narrative themes and visual style.

Production was handled by Seaver and Demorest, while Amrith Ragunathan engineered the vocals and Reuben Cohen mastered the final track. This professional team created a polished product that stands as both a promotional tool and a legitimate musical release in its own right.

Papa Roach’s connection to the Devil May Cry series extends beyond this single release. The band’s iconic track “Last Resort” appeared in promotional material for Season 1, establishing a musical identity that “See U in Hell” continues and expands. This consistency creates a sonic signature for the Netflix adaptation that distinguishes it from other anime series.

Devil May Cry Season 2 raises the stakes dramatically by focusing on the fractured relationship between demon hunter Dante and his twin brother Vergil. The official logline describes a war between worlds that forces Dante to battle the only force that mirrors his own power and pain, his estranged sibling. This central conflict explores themes of family, loss, identity, and the trauma that has shaped both brothers since childhood.

Johnny Yong Bosch returns to voice Dante, bringing his charismatic energy to the demon hunter whose cocky exterior masks deep emotional wounds. Robbie Daymond takes on the role of Vergil, the brother whose reemergence threatens not just the world but Dante’s carefully constructed emotional defenses. The dynamic between these two characters forms the emotional backbone of the season.

Scout Taylor-Compton joins the cast as Lady, adding another familiar face from the Devil May Cry game franchise. The series promises to explore whether Dante can confront his inner demons and overcome the trauma of his past, or whether he will be consumed by the very darkness he fights against.

The psychological dimension of the conflict distinguishes Season 2 from typical action anime. Rather than simply battling external threats, Dante must face the feelings of family connection he lost as a child and decide whether reconciliation with Vergil is possible or whether their conflict can only end in destruction.

Production Details and Musical Strategy

A still from Devil May Cry Season 2’s See U in Hell teaser

Devil May Cry Season 2 continues under the creative leadership of Adi Shankar, known for his work on high-energy animated adaptations that blend Western sensibilities with anime aesthetics. Animation duties fall to Studio Mir, the acclaimed Korean studio responsible for fluid action sequences and detailed character work in series like The Legend of Korra and Voltron: Legendary Defender.

The season consists of eight episodes, each running approximately 30 minutes, providing sufficient time to develop the complex relationship between Dante and Vergil while delivering the action sequences fans expect. The episodic structure allows for both character-driven moments and explosive demon-hunting sequences.

The soundtrack represents a major component of the show’s identity. Beyond “See U in Hell,” Season 2 is expected to feature music from artists including Evanescence, Korn, and Avril Lavigne. This commitment to rock and alternative music reinforces the series’ connection to the edgy, stylish attitude that has defined Devil May Cry since Hideki Kamiya created the original game for Capcom.

The animated music video for “See U in Hell” serves multiple purposes. It provides a standalone piece of content that music fans can enjoy independent of the series while simultaneously offering viewers a preview of Season 2’s visual style and narrative intensity. The video blends footage from upcoming episodes with original animated sequences, creating a bridge between the musical and storytelling elements.

Verified since 2015 Senior Editor and Critic

Andrew Osmond is a senior editor and critic with longstanding authority in anime journalism. Known for his analytical approach to the medium, Andrew Osmond has contributed to major publications and brings decades of industry knowledge to Animenagi. He oversees editorial direction, long-form criticism, and feature content, ensuring that coverage maintains both depth and credibility while engaging a global anime audience.

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